Nr. 0, Nr. 4, Nr. 16: Die GRIFFIN Nummerierung für Perlseide, Mastery since 1866, wirkt auf den ersten Blick wie ei...
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Two strands can carry identical pearls and still sit in different places: one just under the collarbone, the other ...
Eine Perlenkette kündigt das Ende ihres Fadens selten mit einem Riss an. Meist sind es kleine Zeichen: Zwischen Per...
A leather necklace is judged by a joint nobody sees: the few millimetres of cord glued inside a small metal tube. W...
Two cards of silk cord can look identical in a product photo and behave very differently at the bench: one knots cl...
Quality in jewellery supplies is usually sold with adjectives. A jeweller buys it with a pearl that has a tight dri...
A pearl necklace doesn't announce that it needs restringing. It just gets quieter about it: a knot sits slightly lo...
A clasp does the one job every other part of a necklace or bracelet exists to support: it decides whether the piece...
No. 0, No. 4, and No. 16 are three example GRIFFIN's Carded Bead Cord sizes that look like a code the first time yo...
Traditional and modern bead bracelets solve the same problem, holding beads on a wrist, in almost opposite ways. On...
An elastic bracelet lives or dies on two things: the cord it is strung on and the knot that closes it. Get either w...
A knotted cotton bracelet has a particular look: matte where the wax has worn, faintly polished where it hasn't, wi...
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